All Jan Brueghel Oil Paintings

1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.
 

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Jan Brueghel Landscape with robbers sharing loot . oil on canvas


Landscape with robbers sharing loot .
Landscape with robbers sharing loot .
Painting ID::  91078
  c. 1605(1605) Medium oil on panel Dimensions 41 x 65.6 cm (16.1 x 25.8 in) cjr
  c. 1605(1605) Medium oil on panel Dimensions 41 x 65.6 cm (16.1 x 25.8 in) cjr

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Jan Brueghel Schloss Mariemont mit Erzherzog Albrecht und Isabella oil on canvas


Schloss Mariemont mit Erzherzog Albrecht und Isabella
Schloss Mariemont mit Erzherzog Albrecht und Isabella
Painting ID::  91390
  1611(1611) Medium oil on copper cjr
  1611(1611) Medium oil on copper cjr

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Jan Brueghel Der Geschmackssinn oil on canvas


Der Geschmackssinn
Der Geschmackssinn
Painting ID::  91927
  1617-1618 Medium oil on panel Dimensions 64 X 108 cm cyf
  1617-1618 Medium oil on panel Dimensions 64 X 108 cm cyf

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Jan Brueghel Bouquet of Flowers oil on canvas


Bouquet of Flowers
Bouquet of Flowers
Painting ID::  92137
  second half of 16th century Medium oil on oak panel cyf
  second half of 16th century Medium oil on oak panel cyf

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Jan Brueghel Peasants on a wagon near a river going through a village oil on canvas


Peasants on a wagon near a river going through a village
Peasants on a wagon near a river going through a village
Painting ID::  92183
  oil on copper cyf
  oil on copper cyf

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     Jan Brueghel
     1568-1625 Flemish Jan Brueghel Locations Jan Brueghel the Elder (b. 1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed Velvet Brueghel, Flower Brueghel, and Paradise Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. Bouquet, painted 1603. The Entry of the Animals Into Noah Ark, painted 1613.His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger (Hell Brueghel) and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill.

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